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Michael
John Pratt was born in London on the 7th of
June, 1931. The son of a journalist-turned-advertising
man. He worked for 5 years as an advertising copywriter.
He landed a job as an assistant on a revue entitled "Memories
of Jolson", featuring a young Shirley Bassey (she signed up for the revue in
1953).
"I never did discover what
my primary task was supposed to be. I did all
sorts of things back-stage, the most important of
which seemed to be to retrieve the musical
director's false teeth, which he had a habit of
taking out and leaving around without being able
to remember just where. I became his unofficial
private eye - an early Jeff Randall! - from the
day I first found those missing molars for
him."
- Mike Pratt |
He returned to
advertising for a year, combining this with part-time
acting in minor roles. Mike <>Mike decided it was time to see more of
the world. So he quit the agency and, together with three
friends "bummed my way around Europe in an old
taxi." One of the friends was Lionel
Bart. The
quartet had clubbed together and bought a cab for £12.
They then shipped it across to Scandinavia and went on a
tour around Europe.
Mike
Pratt was an accomplished jazz musician,
playing piano and guitar, and on their return to London
in 1956, Lionel
Bart
introduced him to another friend at a party - a young
sailor named Tommy Hicks. Tommy had a
guitar and could sing, while Mike played the piano. They formed a
group called The Cavemen, named after The
Cave, the coffee bar under the arches near the
Embankment where they used to play. They begin playing in
pubs and coffee bars for ten shillings a night. In the
summer of that year, Hicks and The
Cavemen began playing in coffee bars in London's
Soho. Tommy Hicks took the stage name Tommy
Steele.
"I knew Pratt back in the old
Skiffle, Jazz and Blues days, when we lived in
houses in Bayliss Road and Pearman Street,
Waterloo. The Bayliss Road house where Pratt lived was called the
Yellow Door. You can guess why. One night we were
out busking and were stopped by the police who
took names, etc. Pratt said that his name was
John Henry and that his job was Steel Driver. Old
Jazz and Blues fans will get the joke. We all
corpsed and the copper had no idea what was
funny. My last meet with Mike was in The Dumpling
Inn on Gerrard Street, he'd just got back from
India, we had a great meal and reminisce. This
was before R&H. Never saw him again,
but a great mate and still recalled to mind
regularly."
- Ron
Gould |
| |
"I used to work in Wales
during the late fifties and, like many at the
time was a skiffle fan/player. On the way back to
Wales one evening, I stopped off in Soho and
visited the two eyes coffee bar. Mike was playing with (as I
remember) Wally
Whyton and a couple of other guys.
Seeing I had a guitar with me, Mike called me up to sit in
with The
Vipers. He was such a great guy, he
always made me welcome whenever I was in town to
the point where I was virtually a full-time
member of the group."
- Stuart |
Tommy
Steele, Lionel
Bart and Mike Pratt put
their first songs together in the atmosphere of the Yellow
Door. The Yellow Door was in
Bayliss Road, running parallel to Lower Marsh market, it
joined Westminster Bridge Road and Waterloo Road. It was
Soho's South London outpost, described a pre-hippie
commune. Also hanging around there in 1958 was a
seventeen year old folk-singer Davey Graham.
"In 1953 I met Tommy
Steele at a party and with Mike
Pratt formed
Tommy Steele and the Cavemen.
We took the name from a dive we used to play, the
Cave down the
Waterloo Road. That was the start of my
contribution to pop music."
- Lionel
Bart |
| |
"We'd been invited to go to
a party which was at a place called the Yellow
Door, we were told that it was off the cut which
is a small street off the back of Waterloo
Station next to the Old Vic. And there were all
these what at that time were called beatniks and
one of the beatniks was Lionel
Bart. And the three of us came away
from there that night, there was Lionel, there
was me and there was a fellow called Mike
Pratt and
we formed this group over a period of oh must
have been six or seven months and we called
ourselves The Cavemen,
because that's what was on the otherside of this
Yellow Door. And we wrote a song which was called
"Rock With The
Caveman" which was a
spoof, it wasn't meant to be a rock song and that
was really the beginning of three careers."
- Tommy
Steele |
They were finding an
audience, particularly at a coffee bar called The
Two I's in Old Compton Street, Soho. It was here
where Hicks and the Cavemen
were discovered by a public relations man named John
Kennedy. And Kennedy, in turn,
convinced impressario Larry
Parnes
who re-christened Hicks "Tommy
Steele".
Decca signed Tommy
Steele
during the early autumn of 1956. For their recording
debut, the trio cut an original song, "Rock
With the Caveman" with help from some
British jazz notables (including saxman Ronnie
Scott),
who got billed as The Steelmen. Tommy
Steele
made his television debut in October of 1956. "Rock
With the Caveman" made the
British top-20. The early songs were English variants on
a rock 'n' roll sound.
"Because of the success of Bill
Haley in his film "Rock Around
The Clock" and we'd just had this raging
number one hit with Tommy, "Rock
With The Caveman", they
asked me and Mike
to
write a film of his life "The
Tommy Steele Story" with
all rock and roll songs in it."
- Lionel
Bart |
In 1957 Tommy
Steele's
career took off and featured in a film based on his life "The
Tommy Steele Story". Tommy
Steele
and his collaborators Lionel
Bart and Mike Pratt -
wrote 12 songs in only seven days. On May 3 1957 the film
premiered in London. It took less than 2 months to
produce. Two songs featured in the film, "A
Handful of Songs" and "Water,
Water," charted in the British top 5.
The original soundtrack went to number 1 in the album
chart. They were awarded the Ivor
Novello Award for the Outstanding
Song of The Year, Musically and Lyrically for "A Handful of
Songs". Written by Lionel
Bart, Mike Pratt and
Tommy
Steele.
It was number 8 in the sheet music sales of September
1957.
"And so Lionel, and I and Mike
Pratt went
along to the Decca studios and we started
to record some of the songs. One was "Handful
Of Songs" which was the
sort of flagship of it. Then there was "Water,
Water". And there was
another song, which was "Butterfingers",
which I always thought was probably one of the
best songs we ever wrote."
- Tommy
Steele |
In 1958 another Tommy
Steele
film was released, "The Duke Wore Jeans".
This featured more songs written by Mike Pratt and
Lionel
Bart. The
original soundtrack went to number 1 in the album charts.
In 1959, "Little White Bull",
a song for Tommy
Steele
that featured in the film "Tommy
The Toreador", received the 1959 Songwriters Guild Ivor
Novello Award for best novelty song. It was number 4 in
the sheet music sales of December 1959. The soundtrack
for the film reached number four in the album chart.
Mike formed
his own folk group, The Cotton Pickers.
With Mike
playing
piano, and the washboard. The group played a number of
clubs.
Mike's thoughts turned to writing and
he went off to Spain to write a couple of plays, which
have yet to see the light of day. He returned to the U.K.
and he penned sketches and scripts for various reviews
and television shows.
Mike gets
married and they have a daughter (Karin Louise)
and son (Guy
Adam).
In 1963 he appeared in the film "This
Is My Street". Mike played Sid, June
Ritchie's husband. His pretty schoolteacher
sister-in-law was played by a young Australian actress by
the name of Annette
Andre.
"Mike
I'd
worked with before. We did a movie a couple of
years, oh several years before called 'This
is My Street'.
I'd worked with Mike and I worked with Mike in television before
that so I knew Mike. I didn't know Ken but I knew Mike before I even went
into it and I always liked Mike. I thought he was
great.
- Annette Andre
(Retrosellers.com interview)
Mike was a lovely man to
work with. He was the sort of guy who burned the
candle at both ends - he enjoyed to work and play
- and beneath that rough, wonderful face he was
such a sweetheart. He was a marvellous actor and
we had a lot of fun... "
- Annette
Andre |
In 1964 Mike was a writer on the Dave
King's sitcom's "Dave's
Kingdom". A weekly half-hour show by ATV. Transmitted from 21st October -
9th December 1964.
Mike's first appearance as an actor was
as Biff in "Death Of A
Salesman" in Glasgow.
In 1965 Mike appeared in 4 episodes of Danger Man. The series was created by Ralph Smart, and it was produced by ITC Entertainment . In the US, the second and third
seasons of the series were aired under the title Secret Agent. In one episode Mike punched the star Patrick
McGoohan
all over the place, and as a reward, was given more
sympathetic roles in the series.
In the 1965 film Be My
Guest a
song was featured by The
Nashville Teens, Gotta Get Away Now, music by John
Barry
with lyrics by Mike Pratt.
During 1966 Mike joined the Royal Shakespeare Company. In 1966 he appeared in a
production of the Polish dramatist Slawomir
Mrozek's "Tango" at the Aldwych, directed by Trevor Nunn. Also appearing were Pauline Jameson, Michael
Williams
and Robert
Eddison.
In June he began rehearsals for the British Premiere of Friedrich
Dürrenmatt's new comedy "The
Meteor", directed by Clifford
Williams.
Playing Hugo Nyffenschwander, an artist. While
appearing he shared a dressing room with Brian Badcoe and Morgan Sheppard. The press night was on the 28th
of July 1966. Amongst those appearing in the play were Patience Collier, Robert
Eddison
and Patrick
Magee. In
October Mike appeared in a production of Dennis
Cannan's "Us"
at the Aldwych, directed by Peter
Brook.
At the end of May 1968 filming began on the ITC series "Randall and Hopkirk (Deceased)".
"He was the first to be
cast, he had just the touch we needed for the
character of Randall."
- Monty
Berman |
This series
propelled Mike Pratt to star status. In the U.S.A. it
was known as "My Partner The Ghost",
while in Peru it was "El Detective
Fantasma".
"I did the screen test with
the gorgeous, lovely Mike
Pratt who was an instant friend, if
that can be true, he was such a nice guy, we just
gelled right away."
- Kenneth
Cope |
"Dennis
Spooner was responsible for the first
script and the general idea, and I was brought in
at a very early stage in relation to casting. It
was already clear who was going to play Randall.
We all knew Mike Pratt, he was all right. He
was a very truthful actor - a bit of a wild man
in his private life, but a lovely man."
- Cyril
Frankel |
A very private and
shy man, Mike co-wrote, with Ian Wilson,
the episode "A Disturbing Case"
without telling Ken. During time off he would closet
himself in his dressing room with his guitar. Many of the
articles seen in Jeff Randall's apartment, are the
personal belonging of Mike Pratt.
"A
Disturbing Case: Mike
Pratt co-authors an hilarious entry
in which Jeff falls victim to a very crooked
German hypnotist, and becomes a sleepwalking pawn
to Marty's commands."
- Cult Times |
| |
"Mike
Pratt scores hugely for making
Randall just that bit better than you expect. The
regulars work well together, with Mike
Pratt especially deserving praise for
his considered portrayal of Jeff Randall."
- Starburst magazine |
| |
"I hadn't worked with Mike before but we became
very, very firm friends. He came to visit me two
days after I was cast and we had dinner. We used
to ad lib a great deal during recording. Once
during Mike's birthday we finished
shooting and went off to his dressing room for
champagne. A while later we were called back to
the set because one of the shots had gone wrong -
we should really have left the building - and we
were both totally gone, we both sat dazed in this
car trying to record.
- Kenneth
Cope
"Mike was into music and was
always playing his guitar. He was also into
Indian stuff. He always had incense in his
dressing room and he put his bed halfway up the
wall to create more space, which made it look
like a brothel. But it smelt like a nice
place."
- Kenneth
Cope |
Harry 'Aitch' Fielder was
the stand-in for Mike Pratt. They got on well together and
became good friends. Harry would read the other actors'
lines in the script to Mike so that he could learn his.
"Mike was one of the best
artists that I ever got to work with in my 32
years in the biz. Mike lived life to the full
and we shared many a swift half together. Mike
Pratt won't be forgotten while I'm
alive. The King is dead, long live the
King."
- Harry
'Aitch' Fielder |
"Mike
Pratt's consummate performance as the
hang dog, slightly seedy, resolutely world-weary,
Jeff Randall. An ordinary man plunged into an
anything but ordinary situation."
- www.televisionheaven.co.uk |
In the episode "The
Ghost Talks" Mike really was laid up in a hospital
bed with two broken legs. Mike was attempting to climb a
drainpipe in a slightly inebriated state during his 38th
birthday celebrations. He fell 20 feet into the basement
area... he'd forgotten his keys, and saw the stand-in
doing it - successfully - first. Mike being Mike, he thought, "I can do
that" and had a go. Jeff's excuse was that he'd
fallen from a balcony in a chase - a little more
dignified. After 14 months of filming production finished
in the late summer of 1969.
"The unassuming, easy going
approach, and witty sense of humour of Jeff
Randall was equal to the man who portrayed the
character. Even though he had to get back on
stage fourty-five minutes later, he was chatting
and joking with the fans, signing autographs, and
when it came to taking a sock in the jaw -
showing us how it should be done."
- Vanessa Bergmann (Who met
Mike Pratt via his fan club) |
"The third regular, Jean
Hopkirk, is often thinly written, but the
on-screen interaction between Annette
Andre and Pratt helps overcome most of
her part's shortcomings."
- www.screenonline.org.uk |
In 1970 he was cast
in the role of Clem Mason in "The Psychobombs"
- episode 12 of the first series of Gerry
Anderson's
"UFO". In May 1970 Mike began a six-month season of
Shakespearean plays at London's Mermaid Theatre.
"When I was fourteen I
wanted nothing more than to be an actor, but
moving around at the end of the war, I lost sight
of that."
- Mike Pratt |
In 1971, he starred
in the "Long Voyage Out Of War"
as an army deserter Turk Godfray.
"The most challenging and
demanding role I have ever had to play."
- Mike Pratt |
The programme also
featured Anne
Stallybrass. He was the only actor to appear in all
three plays and he ages from twenty-one to fifty-six in
the process. The trilogy, by Ian
Curteis,
shows the effect of war on Turk Godfray at three
stages in his life. In the first play, "The
Gentle Invasion" the time is the Battle of
Britain, and Turk is an Army deserter hiding in
his native hamlet on Kent's Romney Marsh. By the second
programme, "Battle at Trematangi", Turk
has become a merceneray in SE Asia who experiences the
effects of an atomic bomb test in the Pacific. The final
programme, "Last Enemy", set in 1975,
finds Turk as a major campaigner for the poor,
the homeless and the refugees of war.
"I worked with Mike in the first Chipping
Norton Christmas play which was a fund
raiser to help buy the Salvation Army Hall in
Chippy to turn it into a theatre. The production
was Beauty and the Beast
by Nicholas
Stuart Grey - who also directed
it. Mike was a wizard and I
played his nephew - a baby dragon. This was back
in 1972-ish so the memory is a bit hazy about the
other cast members, but I remember Mike as being kind and
helpful to a youngster like myself. There were a
lot of laughs and fun. A great time and great
introduction to the business for me."
- Tim Woolgar |
In 1972 Mike appeared in a production of Maxim
Gorky's "The
Lower Depths" at the Aldwych, directed by David Jones
. The press night was on the 29th of June 1972
"I worked in Clifford
Essex Music Co from 1972-6. It
was a fretted instrument shop (banjo, guitar,
mandolin etc) in Earlham Street, just off of
Shaftesbury Avenue. Mike
Pratt was a regular customer, mainly
buying instrument strings. I think he was keen on
guitar and also banjo. A really nice guy, we (my
fellow counter assistant Dee Demetriou) never
talked to him about Randall &
Hopkirk etc
as it was company policy not to."
- Charles Kemp (Formerly of
Clifford Essex and BMG Magazine) |
In December 1972 Mike appeared in David Jones'
RSC production of "The Island of the
Mighty" at the Aldwych. He was cast as Garlon. The play
was written by John
Arden and
Margaretta D'Arcy and was an
interpretation of the Arthurian legends. The press night
was on the 5th of December 1972.
In 1973 he appeared in The
Vault of Horror.
"Our first dreamer is told
by a private investigator - rather fantastically
played by Mike Pratt"
- British Horror
Films |
His last role came
in 1976. He appeared in episodes of the BBC
family saga "The
Brothers". He played the character of Don Stacy, an
alcoholic airline pilot. Mike had been ill for some time and was
admitted to a hospital near Guildford in January 1976. On
the 10th of July, Mike lost his battle against cancer. Mike was cremated on 15th July 1976 at Golders
Green Cemetery. Mike's ashes were scattered in Section
3-Q.
Although his appearance in "The
Brothers" was a brief one, it attracted a sizeable
following. On the 8th of August 1976, the remaining cast
of the series plus a number of other celebrities
(including Glenda
Jackson, John
Le Mesurier and Kenneth Haigh, Fenella
Fielding,
Victor
Spinetti,
Annie
Ross and Harry
Corbett)
staged a special show in his honour at London's Aldwych Theatre. The proceeds went to his family.
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