Mike Pratt @ www.mike-pratt.co.uk
   
Biography - Michael Pratt 1931-1976
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Michael John Pratt was born in London on the 7th of June, 1931. The son of a journalist-turned-advertising man. He worked for 5 years as an advertising copywriter. He landed a job as an assistant on a revue entitled "Memories of Jolson", featuring a young Shirley Bassey (she signed up for the revue in 1953).

"I never did discover what my primary task was supposed to be. I did all sorts of things back-stage, the most important of which seemed to be to retrieve the musical director's false teeth, which he had a habit of taking out and leaving around without being able to remember just where. I became his unofficial private eye - an early Jeff Randall! - from the day I first found those missing molars for him."
-
Mike Pratt

He returned to advertising for a year, combining this with part-time acting in minor roles. Mike <>Mike decided it was time to see more of the world. So he quit the agency and, together with three friends "bummed my way around Europe in an old taxi." One of the friends was Lionel Bart. The quartet had clubbed together and bought a cab for £12. They then shipped it across to Scandinavia and went on a tour around Europe.

Mike Pratt was an accomplished jazz musician, playing piano and guitar, and on their return to London in 1956, Lionel Bart introduced him to another friend at a party - a young sailor named Tommy Hicks. Tommy had a guitar and could sing, while Mike played the piano. They formed a group called The Cavemen, named after The Cave, the coffee bar under the arches near the Embankment where they used to play. They begin playing in pubs and coffee bars for ten shillings a night. In the summer of that year, Hicks and The Cavemen began playing in coffee bars in London's Soho. Tommy Hicks took the stage name Tommy Steele.

"I knew Pratt back in the old Skiffle, Jazz and Blues days, when we lived in houses in Bayliss Road and Pearman Street, Waterloo. The Bayliss Road house where Pratt lived was called the Yellow Door. You can guess why. One night we were out busking and were stopped by the police who took names, etc. Pratt said that his name was John Henry and that his job was Steel Driver. Old Jazz and Blues fans will get the joke. We all corpsed and the copper had no idea what was funny. My last meet with Mike was in The Dumpling Inn on Gerrard Street, he'd just got back from India, we had a great meal and reminisce. This was before R&H. Never saw him again, but a great mate and still recalled to mind regularly."
-
Ron Gould
 
"I used to work in Wales during the late fifties and, like many at the time was a skiffle fan/player. On the way back to Wales one evening, I stopped off in Soho and visited the two eyes coffee bar. Mike was playing with (as I remember) Wally Whyton and a couple of other guys. Seeing I had a guitar with me, Mike called me up to sit in with The Vipers. He was such a great guy, he always made me welcome whenever I was in town to the point where I was virtually a full-time member of the group."
- Stuart

Tommy Steele, Lionel Bart and Mike Pratt put their first songs together in the atmosphere of the Yellow Door. The Yellow Door was in Bayliss Road, running parallel to Lower Marsh market, it joined Westminster Bridge Road and Waterloo Road. It was Soho's South London outpost, described a pre-hippie commune. Also hanging around there in 1958 was a seventeen year old folk-singer Davey Graham.

"In 1953 I met Tommy Steele at a party and with Mike Pratt formed Tommy Steele and the Cavemen. We took the name from a dive we used to play, the Cave down the Waterloo Road. That was the start of my contribution to pop music."
-
Lionel Bart
 
"We'd been invited to go to a party which was at a place called the Yellow Door, we were told that it was off the cut which is a small street off the back of Waterloo Station next to the Old Vic. And there were all these what at that time were called beatniks and one of the beatniks was Lionel Bart. And the three of us came away from there that night, there was Lionel, there was me and there was a fellow called Mike Pratt and we formed this group over a period of oh must have been six or seven months and we called ourselves The Cavemen, because that's what was on the otherside of this Yellow Door. And we wrote a song which was called "Rock With The Caveman" which was a spoof, it wasn't meant to be a rock song and that was really the beginning of three careers."
-
Tommy Steele

They were finding an audience, particularly at a coffee bar called The Two I's in Old Compton Street, Soho. It was here where Hicks and the Cavemen were discovered by a public relations man named John Kennedy. And Kennedy, in turn, convinced impressario Larry Parnes who re-christened Hicks "Tommy Steele". Decca signed Tommy Steele during the early autumn of 1956. For their recording debut, the trio cut an original song, "Rock With the Caveman" with help from some British jazz notables (including saxman Ronnie Scott), who got billed as The Steelmen. Tommy Steele made his television debut in October of 1956. "Rock With the Caveman" made the British top-20. The early songs were English variants on a rock 'n' roll sound.

"Because of the success of Bill Haley in his film "Rock Around The Clock" and we'd just had this raging number one hit with Tommy, "Rock With The Caveman", they asked me and Mike to write a film of his life "The Tommy Steele Story" with all rock and roll songs in it."
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Lionel Bart

In 1957 Tommy Steele's career took off and featured in a film based on his life "The Tommy Steele Story". Tommy Steele and his collaborators Lionel Bart and Mike Pratt - wrote 12 songs in only seven days. On May 3 1957 the film premiered in London. It took less than 2 months to produce. Two songs featured in the film, "A Handful of Songs" and "Water, Water," charted in the British top 5. The original soundtrack went to number 1 in the album chart. They were awarded the Ivor Novello Award for the Outstanding Song of The Year, Musically and Lyrically for "A Handful of Songs". Written by Lionel Bart, Mike Pratt and Tommy Steele. It was number 8 in the sheet music sales of September 1957.

"And so Lionel, and I and Mike Pratt went along to the Decca studios and we started to record some of the songs. One was "Handful Of Songs" which was the sort of flagship of it. Then there was "Water, Water". And there was another song, which was "Butterfingers", which I always thought was probably one of the best songs we ever wrote."
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Tommy Steele

In 1958 another Tommy Steele film was released, "The Duke Wore Jeans". This featured more songs written by Mike Pratt and Lionel Bart. The original soundtrack went to number 1 in the album charts.

In 1959, "Little White Bull", a song for
Tommy Steele that featured in the film "Tommy The Toreador", received the 1959 Songwriters Guild Ivor Novello Award for best novelty song. It was number 4 in the sheet music sales of December 1959. The soundtrack for the film reached number four in the album chart.

Mike formed his own folk group, The Cotton Pickers. With Mike playing piano, and the washboard. The group played a number of clubs.

Mike's thoughts turned to writing and he went off to Spain to write a couple of plays, which have yet to see the light of day. He returned to the U.K. and he penned sketches and scripts for various reviews and television shows.

Mike gets married and they have a daughter (Karin Louise) and son (Guy Adam).

In 1963 he appeared in the film "
This Is My Street". Mike played Sid, June Ritchie's husband. His pretty schoolteacher sister-in-law was played by a young Australian actress by the name of Annette Andre.

"Mike I'd worked with before. We did a movie a couple of years, oh several years before called 'This is My Street'. I'd worked with Mike and I worked with Mike in television before that so I knew Mike. I didn't know Ken but I knew Mike before I even went into it and I always liked Mike. I thought he was great.
-
Annette Andre (Retrosellers.com interview)

Mike was a lovely man to work with. He was the sort of guy who burned the candle at both ends - he enjoyed to work and play - and beneath that rough, wonderful face he was such a sweetheart. He was a marvellous actor and we had a lot of fun... "
-
Annette Andre

In 1964 Mike was a writer on the Dave King's sitcom's "Dave's Kingdom". A weekly half-hour show by ATV. Transmitted from 21st October - 9th December 1964.

Mike's first appearance as an actor was as Biff in "Death Of A Salesman" in Glasgow.

In 1965
Mike appeared in 4 episodes of Danger Man. The series was created by Ralph Smart, and it was produced by ITC Entertainment . In the US, the second and third seasons of the series were aired under the title Secret Agent. In one episode Mike punched the star Patrick McGoohan all over the place, and as a reward, was given more sympathetic roles in the series.

In the 1965 film
Be My Guest a song was featured by The Nashville Teens, Gotta Get Away Now, music by John Barry with lyrics by Mike Pratt.

During 1966
Mike joined the Royal Shakespeare Company. In 1966 he appeared in a production of the Polish dramatist Slawomir Mrozek's "Tango" at the Aldwych, directed by Trevor Nunn. Also appearing were Pauline Jameson, Michael Williams and Robert Eddison. In June he began rehearsals for the British Premiere of Friedrich Dürrenmatt's new comedy "The Meteor", directed by Clifford Williams. Playing Hugo Nyffenschwander, an artist. While appearing he shared a dressing room with Brian Badcoe and Morgan Sheppard. The press night was on the 28th of July 1966. Amongst those appearing in the play were Patience Collier, Robert Eddison and Patrick Magee. In October Mike appeared in a production of Dennis Cannan's "Us" at the Aldwych, directed by Peter Brook.

At the end of May 1968 filming began on the
ITC series "Randall and Hopkirk (Deceased)".

"He was the first to be cast, he had just the touch we needed for the character of Randall."
-
Monty Berman

This series propelled Mike Pratt to star status. In the U.S.A. it was known as "My Partner The Ghost", while in Peru it was "El Detective Fantasma".

"I did the screen test with the gorgeous, lovely Mike Pratt who was an instant friend, if that can be true, he was such a nice guy, we just gelled right away."
-
Kenneth Cope
 
"Dennis Spooner was responsible for the first script and the general idea, and I was brought in at a very early stage in relation to casting. It was already clear who was going to play Randall. We all knew Mike Pratt, he was all right. He was a very truthful actor - a bit of a wild man in his private life, but a lovely man."
-
Cyril Frankel

A very private and shy man, Mike co-wrote, with Ian Wilson, the episode "A Disturbing Case" without telling Ken. During time off he would closet himself in his dressing room with his guitar. Many of the articles seen in Jeff Randall's apartment, are the personal belonging of Mike Pratt.

"A Disturbing Case: Mike Pratt co-authors an hilarious entry in which Jeff falls victim to a very crooked German hypnotist, and becomes a sleepwalking pawn to Marty's commands."
- Cult Times
 
"Mike Pratt scores hugely for making Randall just that bit better than you expect. The regulars work well together, with Mike Pratt especially deserving praise for his considered portrayal of Jeff Randall."
- Starburst magazine
 
"I hadn't worked with Mike before but we became very, very firm friends. He came to visit me two days after I was cast and we had dinner. We used to ad lib a great deal during recording. Once during Mike's birthday we finished shooting and went off to his dressing room for champagne. A while later we were called back to the set because one of the shots had gone wrong - we should really have left the building - and we were both totally gone, we both sat dazed in this car trying to record.
-
Kenneth Cope

"
Mike was into music and was always playing his guitar. He was also into Indian stuff. He always had incense in his dressing room and he put his bed halfway up the wall to create more space, which made it look like a brothel. But it smelt like a nice place."
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Kenneth Cope

Harry 'Aitch' Fielder was the stand-in for Mike Pratt. They got on well together and became good friends. Harry would read the other actors' lines in the script to Mike so that he could learn his.

"Mike was one of the best artists that I ever got to work with in my 32 years in the biz. Mike lived life to the full and we shared many a swift half together. Mike Pratt won't be forgotten while I'm alive. The King is dead, long live the King."
-
Harry 'Aitch' Fielder
 
"Mike Pratt's consummate performance as the hang dog, slightly seedy, resolutely world-weary, Jeff Randall. An ordinary man plunged into an anything but ordinary situation."
-
www.televisionheaven.co.uk

In the episode "The Ghost Talks" Mike really was laid up in a hospital bed with two broken legs. Mike was attempting to climb a drainpipe in a slightly inebriated state during his 38th birthday celebrations. He fell 20 feet into the basement area... he'd forgotten his keys, and saw the stand-in doing it - successfully - first. Mike being Mike, he thought, "I can do that" and had a go. Jeff's excuse was that he'd fallen from a balcony in a chase - a little more dignified. After 14 months of filming production finished in the late summer of 1969.

"The unassuming, easy going approach, and witty sense of humour of Jeff Randall was equal to the man who portrayed the character. Even though he had to get back on stage fourty-five minutes later, he was chatting and joking with the fans, signing autographs, and when it came to taking a sock in the jaw - showing us how it should be done."
-
Vanessa Bergmann (Who met
Mike Pratt via his fan club)
 
"The third regular, Jean Hopkirk, is often thinly written, but the on-screen interaction between Annette Andre and Pratt helps overcome most of her part's shortcomings."
-
www.screenonline.org.uk

In 1970 he was cast in the role of Clem Mason in "The Psychobombs" - episode 12 of the first series of Gerry Anderson's "UFO". In May 1970 Mike began a six-month season of Shakespearean plays at London's Mermaid Theatre.

"When I was fourteen I wanted nothing more than to be an actor, but moving around at the end of the war, I lost sight of that."
-
Mike Pratt

In 1971, he starred in the "Long Voyage Out Of War" as an army deserter Turk Godfray.

"The most challenging and demanding role I have ever had to play."
-
Mike Pratt

The programme also featured Anne Stallybrass. He was the only actor to appear in all three plays and he ages from twenty-one to fifty-six in the process. The trilogy, by Ian Curteis, shows the effect of war on Turk Godfray at three stages in his life. In the first play, "The Gentle Invasion" the time is the Battle of Britain, and Turk is an Army deserter hiding in his native hamlet on Kent's Romney Marsh. By the second programme, "Battle at Trematangi", Turk has become a merceneray in SE Asia who experiences the effects of an atomic bomb test in the Pacific. The final programme, "Last Enemy", set in 1975, finds Turk as a major campaigner for the poor, the homeless and the refugees of war.

"I worked with Mike in the first Chipping Norton Christmas play which was a fund raiser to help buy the Salvation Army Hall in Chippy to turn it into a theatre. The production was Beauty and the Beast by Nicholas Stuart Grey - who also directed it. Mike was a wizard and I played his nephew - a baby dragon. This was back in 1972-ish so the memory is a bit hazy about the other cast members, but I remember Mike as being kind and helpful to a youngster like myself. There were a lot of laughs and fun. A great time and great introduction to the business for me."
- Tim Woolgar

In 1972 Mike appeared in a production of Maxim Gorky's "The Lower Depths" at the Aldwych, directed by David Jones . The press night was on the 29th of June 1972

"I worked in Clifford Essex Music Co from 1972-6. It was a fretted instrument shop (banjo, guitar, mandolin etc) in Earlham Street, just off of Shaftesbury Avenue. Mike Pratt was a regular customer, mainly buying instrument strings. I think he was keen on guitar and also banjo. A really nice guy, we (my fellow counter assistant Dee Demetriou) never talked to him about Randall & Hopkirk etc as it was company policy not to."
- Charles Kemp (Formerly of Clifford Essex and BMG Magazine)

In December 1972 Mike appeared in David Jones' RSC production of "The Island of the Mighty" at the Aldwych. He was cast as Garlon. The play was written by John Arden and Margaretta D'Arcy and was an interpretation of the Arthurian legends. The press night was on the 5th of December 1972.

In 1973 he appeared in
The Vault of Horror.

"Our first dreamer is told by a private investigator - rather fantastically played by Mike Pratt"
-
British Horror Films

His last role came in 1976. He appeared in episodes of the BBC family saga "The Brothers". He played the character of Don Stacy, an alcoholic airline pilot. Mike had been ill for some time and was admitted to a hospital near Guildford in January 1976. On the 10th of July, Mike lost his battle against cancer. Mike was cremated on 15th July 1976 at Golders Green Cemetery. Mike's ashes were scattered in Section 3-Q.

Although his appearance in
"The Brothers" was a brief one, it attracted a sizeable following. On the 8th of August 1976, the remaining cast of the series plus a number of other celebrities (including Glenda Jackson, John Le Mesurier and Kenneth Haigh, Fenella Fielding, Victor Spinetti, Annie Ross and Harry Corbett) staged a special show in his honour at London's Aldwych Theatre. The proceeds went to his family.

"'Michael was a great loss, both to the industry and as a friend."
-
Kenneth Cope (Geoff Tibballs book)

"
Mike Pratt - A lovely man. Should have been destined for big things - maybe Hollywood. A great writer and actor and good looking too! I miss him a lot - he was a good friend."
-
Kenneth Cope (Retrosellers.com interview)
 
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